Reflections on a year of house portraits

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Porch detail of a custom paper house portrait

March marked the 12-month point from when I created my first paper house portrait. Since March of last year I’ve delivered 24 custom house portraits to art lovers in 7 different states. The commissions range from a famous church in Greece to a girlfriend’s childhood home in the Midwest, to a family’s vacation home in Florida, to a construction company’s office, and more. Several were gifted to clients or friends who just purchased a new home, or as a wedding, anniversary, or birthday gift. It has been remarkable to be a part of such momentous occasions in people’s lives, and be able to create an heirloom that will hopefully be a tangible reminder of the memories and relationships that center around these homes and spaces.

My primary observations after a year, in no particular order:

  • I’ve challenged myself to work larger. My original portraits were 8″ square, and lately I’ve been creating more pieces that are 11″ x 14″, and even one that’s 20″ x 20″. Working larger has allowed me to add more nuance and detail to the houses, since I’ve learned that one can only cut a piece of paper so small before it kinda just falls apart.
  • I’ve experimented more with using colored paper for different areas of a house, to add contrast between the roof and the walls, or the walls and the shutters. I look forward to exploring this more, and I’m currently trying to figure out how I can store more different kinds and colors of paper, so that I can expand what I keep on hand to include more colors that make sense for homes and buildings.
  • I’ve learned that porches are tricky to make, especially the kind with lots of posts and a roof. I can’t tell yet if it’s the sort of thing that will get easier with practice, or if every house portrait is so unique that every porch will be tricky. For one of my house portraits, I spent an entire day just trying to get the porch right. I may have to add an extra fee for houses with big porches, but I’m going to try a few more times first.

As I head into the summer art show season, I have temporarily shuttered my online shop so that I can focus on the house portraits already in my queue and spend some time coming up with fun new products (and hopefully making progress on organizing my workspace – it’s been a disaster for a long time). The shop will re-open mid-May, just in time for my first weekend of outdoor shows, the Bedford Plant & Art Sale and Inman Eats & Crafts.

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Paper House Portraits: A Story of Beginning

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a hand holding a model of a house

A little over a year ago, August 2017, some friends asked me for some ideas for a special gift they wanted to give. Their old church was closing down, and they wanted something special to give to the pastor to remember and celebrate the community and the building. I totally winged it, found paper approximately the right color, and made this 3D paper construction that would fit inside of an off-the-shelf shadow box frame.

Custom Architectural Portrait: Church in Washington, DC

Then I spent the rest of the summer and fall moving, and the winter doing as many holiday markets as I possibly could!

As I recovered from that season, taking some time to rest and review and dream at the beginning of 2018, I thought back to that little paper church and wondered if that would be something with a broader appeal and market.

I first created a version of my own house, to test out the process, and put it out on Instagram to see what my online friends thought:

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It was pretty well-received, so I listed a trial run of 5 houses for $50 each in my Etsy shop, and figured that given the overwhelmingly positive response, they would sell pretty quickly. Three of the five sold in the first few days, and then, maybe because I stopped talking about them for a while because I was busy working on them, the last two orders took a while to come in. Since then I’ve sold a few at what I’m calling my normal price for now, $150, as well as some special commissions with colors and other details that for now I’m quoting on a case-by-case basis.

This has been such a fascinating process. It’s such a different kind of work – more like the graphic design work I used to do, where I’m working directly with another human being to make something that they hopefully find beautiful and meaningful – unlike my product design work where it often feels like I’m making things, throwing them blindly into the world, and hoping the right person comes along and buys them! I’m still processing that, and feeling out what this change means for me and how I work and how yeiou exists in the world.

Heading into the holiday season, I’m feeling a little uneasy about the new breadth of my body of work – I’ve also added one-of-a-kind framed paper pieces to my repertoire. They are a lower price point than my custom house portraits, and help me build my skills and invent new techniques for rendering architectural details in paper…and I think they’re quite beautiful, too! But they’re another “thing” that I do, and it’s all quite hard to explain to random people I meet without pulling out my phone to show pictures!

At in-person events these additions feel risky to me, because I’m still figuring out how to tell a cohesive story about my full range of work. In the past, the story my display told was about creativity and the therapeutic qualities and infinite possibilities of crafting. It was all “yay” banners and bright colors. Now, my display is still mostly fun and colorful and enthusiastic, but there are also a few one-of-a-kind pieces that tend to be mostly white-on-white and about details and subtlety, as well as information about custom house portrait orders! It’s a lot to process, and I realize that, and I’m just going to go forward with the faith that I will figure it out eventually.

Anyway, because I wanted to see them all together, and maybe you do, too, here are all of the house portraits I’ve completed so far, in the order they were created: